The Cube is a nomadic experiment evolving out of artist-curator Marianne Bernstein's previous projects involving architectural cubes, The Welcome House (Love Park, 2009) and The Play House (Not a Vacant Lot, 2011 and Beyond What Was, 2012). For those installations, artists were invited to explore marginalized spaces and people through interventions and short films. During the day, the interior of the cube became a stage. At night, the cube was wrapped and functioned as a four-sided projection screen.
The geometry of the cube frames space into an artistic realm; the practice inside is unpredictable, allowing for spontaneous and intimate interactions.